The Hollies returned to the UK Top 10 with "I Can't Let Go" (Feb. 1966, UK #2, US #42) and "Bus Stop" (UK #2, US #5, 1966) (written by future 10CC member Graham Gouldman). Their only non-charting single in this period was the Burt Bacharach-Hal David song "After The Fox" (Sep. 1966), which featured Jack Bruce on Bass guitar & Burt Bacharach himself on keyboards and was the theme song from the Peter Sellers comedy film of the same name, which was issued on the United Artists label.
From this point until Nash's departure, the single A-sides were all Clarke-Hicks-Nash collaborations; "Stop Stop Stop" (Oct. 1966, UK #2, US #7), known for its distinctive banjo arrangement; "On a Carousel" (Feb. 1967; UK #4, 1967, US #11, Australia #14,[3]), "Carrie Anne" (May 1967, UK #3, US #9, Australia #7[4]) (the song from which actress Carrie-Anne Moss got her name, having been born when the song was on the charts). An attempt to make a more ambitious, less poppy piece with "King Midas in Reverse" only made #18 in the UK charts and this relative failure was a factor in Nash deciding to leave the group. The last Hollies single of the '60s to feature Graham Nash was "Jennifer Eccles" (Mar. 1968, UK #7, US #40, Aust. #13[5]).
Like most British groups' during this period, The Hollies' US releases almost always featured different track listings from their original UK albums. The Hollies second album "In The Hollies Style" (1964) did not chart and none of its tracks were released in the US. The Hollies’s third album simply called Hollies hit number 8 in the UK in 1965. Their fourth Would You Believe made it to #16 in 1966. Released in the US as Hear Here and Beat Group, they failed to crack the top 100. Meanwhile a US Imperial Bus Stop album made of songs clipped from earlier albums climbed to #75, the group's first US album to enter the Top 100.
While all their albums included original compositions, these were usually listed under the pseudonym "L. Ransford". Released in October 1966, For Certain Because (UK #23, 1966) was the group's fifth album, their first album consisting entirely of original compositions by Clarke, Hicks and Nash. Released in the U.S. as Stop! Stop! Stop! it reached U.S. #91 and spawned a U.S. release only single "Pay You Back With Interest" which was a modest hit reaching U.S. #28. Another track "Tell Me To My Face" was a moderate hit by Mercury artist Keith and would also be covered a decade later by Dan Fogelberg and Tim Weisberg on their "Twin Sons Of Different Mothers" album. The Searchers and Paul & Barry Ryan each had a minor UK Chart hit with Their song "Have You Ever loved Somebody" in 1967....while Graham Nash co-wrote John Walker's first solo hit "Annabella" that year...and later in 1968 Nash took a guest vocal on The Scaffold's UK Chart topper "Lily The Pink" (which referenced The Hollies 1968 hit "Jennifer Eccles")
Their next album Evolution was released on 1 June 1967, the same day as The Beatles' Sgt Pepper's Lonely Hearts Club Band. It was also their first album for their new U.S. label Epic. It reached UK #13 and U.S. #43. The U.S. version included the single "Carrie Anne".
Hollies Tickets are available at Sold Out Ticket Market at nominal rates.
From this point until Nash's departure, the single A-sides were all Clarke-Hicks-Nash collaborations; "Stop Stop Stop" (Oct. 1966, UK #2, US #7), known for its distinctive banjo arrangement; "On a Carousel" (Feb. 1967; UK #4, 1967, US #11, Australia #14,[3]), "Carrie Anne" (May 1967, UK #3, US #9, Australia #7[4]) (the song from which actress Carrie-Anne Moss got her name, having been born when the song was on the charts). An attempt to make a more ambitious, less poppy piece with "King Midas in Reverse" only made #18 in the UK charts and this relative failure was a factor in Nash deciding to leave the group. The last Hollies single of the '60s to feature Graham Nash was "Jennifer Eccles" (Mar. 1968, UK #7, US #40, Aust. #13[5]).
Like most British groups' during this period, The Hollies' US releases almost always featured different track listings from their original UK albums. The Hollies second album "In The Hollies Style" (1964) did not chart and none of its tracks were released in the US. The Hollies’s third album simply called Hollies hit number 8 in the UK in 1965. Their fourth Would You Believe made it to #16 in 1966. Released in the US as Hear Here and Beat Group, they failed to crack the top 100. Meanwhile a US Imperial Bus Stop album made of songs clipped from earlier albums climbed to #75, the group's first US album to enter the Top 100.
While all their albums included original compositions, these were usually listed under the pseudonym "L. Ransford". Released in October 1966, For Certain Because (UK #23, 1966) was the group's fifth album, their first album consisting entirely of original compositions by Clarke, Hicks and Nash. Released in the U.S. as Stop! Stop! Stop! it reached U.S. #91 and spawned a U.S. release only single "Pay You Back With Interest" which was a modest hit reaching U.S. #28. Another track "Tell Me To My Face" was a moderate hit by Mercury artist Keith and would also be covered a decade later by Dan Fogelberg and Tim Weisberg on their "Twin Sons Of Different Mothers" album. The Searchers and Paul & Barry Ryan each had a minor UK Chart hit with Their song "Have You Ever loved Somebody" in 1967....while Graham Nash co-wrote John Walker's first solo hit "Annabella" that year...and later in 1968 Nash took a guest vocal on The Scaffold's UK Chart topper "Lily The Pink" (which referenced The Hollies 1968 hit "Jennifer Eccles")
Their next album Evolution was released on 1 June 1967, the same day as The Beatles' Sgt Pepper's Lonely Hearts Club Band. It was also their first album for their new U.S. label Epic. It reached UK #13 and U.S. #43. The U.S. version included the single "Carrie Anne".
Hollies Tickets are available at Sold Out Ticket Market at nominal rates.
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