Tuesday, March 23, 2010
The Hollies Picture Gallery
Hollies Tickets are available at Sold Out Ticket Market at nominal rates.
The Hollies Video Gallery
This is a collection of some classic The Hollies videos.
Hollies Tickets are available at Sold Out Ticket Market at nominal rates.
Hollies Tickets are available at Sold Out Ticket Market at nominal rates.
The Hollies: Since 2000

The group released their new studio album Then, Now, Always, in late March 2009, featuring Peter Howarth on lead vocals.
Hollies Tickets are available at Sold Out Ticket Market at nominal rates.
The Hollies: 1980 - 2000
In 1980 the Hollies returned to the UK charts with the single "Soldier's Song" which was a minor hit in 1980 reaching number 58 in the UK. They also released an album of Buddy Holly covers aptly named "Buddy Holly". In Summer 1981 Calvert and Sylvester left. The Hollies issued their last Polydor single "Take My Love and Run" in November 1981 but this failed to chart. Just before that in August 1981 they released "Holliedaze" on EMI, a medley edited together by Tony Hicks from their hit records, which returned them to the UK Top 30. At the request of the BBC, Nash and Haydock briefly rejoined to promote the record on Top of the Pops. They continued to record and tour throughout the mid-1980s. Graham Nash joined them for the recording of an Alan Tarney song "Somethin' Ain't Right" on 10 September 1981 which led to a proper reunion album "What Goes Around..." issued on WEA Records in July 1983. The Hollies last hit the US Top 40 with a remake of The Supremes' "Stop in the Name of Love", which reached No. 29 in 1983, taken from the album What Goes Around. A live album featuring the Clarke-Hicks-Elliott-Nash re-grouping, Reunion, was recorded at Kings Head Park, Ohio, during a USA tour that followed that same year, finally being issued first in 1997 as "Archive Alive"
Hollies Tickets are available at Sold Out Ticket Market at nominal rates.
Hollies Tickets are available at Sold Out Ticket Market at nominal rates.
The Hollies in 1970s

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The Hollies from 1966 to 1969

From this point until Nash's departure, the single A-sides were all Clarke-Hicks-Nash collaborations; "Stop Stop Stop" (Oct. 1966, UK #2, US #7), known for its distinctive banjo arrangement; "On a Carousel" (Feb. 1967; UK #4, 1967, US #11, Australia #14,[3]), "Carrie Anne" (May 1967, UK #3, US #9, Australia #7[4]) (the song from which actress Carrie-Anne Moss got her name, having been born when the song was on the charts). An attempt to make a more ambitious, less poppy piece with "King Midas in Reverse" only made #18 in the UK charts and this relative failure was a factor in Nash deciding to leave the group. The last Hollies single of the '60s to feature Graham Nash was "Jennifer Eccles" (Mar. 1968, UK #7, US #40, Aust. #13[5]).
Like most British groups' during this period, The Hollies' US releases almost always featured different track listings from their original UK albums. The Hollies second album "In The Hollies Style" (1964) did not chart and none of its tracks were released in the US. The Hollies’s third album simply called Hollies hit number 8 in the UK in 1965. Their fourth Would You Believe made it to #16 in 1966. Released in the US as Hear Here and Beat Group, they failed to crack the top 100. Meanwhile a US Imperial Bus Stop album made of songs clipped from earlier albums climbed to #75, the group's first US album to enter the Top 100.
While all their albums included original compositions, these were usually listed under the pseudonym "L. Ransford". Released in October 1966, For Certain Because (UK #23, 1966) was the group's fifth album, their first album consisting entirely of original compositions by Clarke, Hicks and Nash. Released in the U.S. as Stop! Stop! Stop! it reached U.S. #91 and spawned a U.S. release only single "Pay You Back With Interest" which was a modest hit reaching U.S. #28. Another track "Tell Me To My Face" was a moderate hit by Mercury artist Keith and would also be covered a decade later by Dan Fogelberg and Tim Weisberg on their "Twin Sons Of Different Mothers" album. The Searchers and Paul & Barry Ryan each had a minor UK Chart hit with Their song "Have You Ever loved Somebody" in 1967....while Graham Nash co-wrote John Walker's first solo hit "Annabella" that year...and later in 1968 Nash took a guest vocal on The Scaffold's UK Chart topper "Lily The Pink" (which referenced The Hollies 1968 hit "Jennifer Eccles")
Their next album Evolution was released on 1 June 1967, the same day as The Beatles' Sgt Pepper's Lonely Hearts Club Band. It was also their first album for their new U.S. label Epic. It reached UK #13 and U.S. #43. The U.S. version included the single "Carrie Anne".
Hollies Tickets are available at Sold Out Ticket Market at nominal rates.
The Hollies in 1960-1965

Their EMI debut single "Ain't That Just Like Me" was released in May 1963, and hit #25 on the UK Singles Chart. Their second single, a cover of The Coasters' "Searchin," hit #12. They scored their first British Top 10 hit in early 1964 with a cover of Maurice Williams and The Zodiacs' "Stay", which reached #8 in the UK. It was lifted from the band's Parlophone debut album "Stay With The Hollies", released on 1 January 1964, which went to #2 on the UK album chart. A version of the album was released in the US as Here I Go Again, on The Hollies' then-U.S. label Imperial.
They followed up with "Just One Look" (February 1964,UK #2), and the hits continued with "Here I Go Again" (May 1964, UK #4); the group's first self-penned hit "We're Through" (Sep. 1964, UK #7); "Yes I Will" (Jan. 1965, UK #9); the Clint Ballard, Jr.-penned "I'm Alive" (May 1965, UK#1, US #103); and "Look Through Any Window" [Sept. 1965, UK #4]
Hollies Tickets are available at Sold Out Ticket Market at nominal rates.
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